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| Result Number | Material Type | Add to My Shelf Action | Record Details and Options |
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| 1 |
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Три сестры» П. Этвёша и процесс концептуализации чеховской драматургии в музыкальном театреВестник музыкальной науки, 2021, Vol.2021 (4 (30)), p.24-34 [Peer Reviewed Journal]ISSN: 2308-1031 ;DOI: 10.24411/2308-1031-2020-10062Full text available |
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Film Fragment 15 - Disseminating the ideas of the thesis to actors and well-being classes. A dragon puppet made in the style of otome bunraku for an actors’ companyCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341346.v1Digital Resources/Online E-Resources |
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Film Fragment 18 - Demonstration of an interpretation of Hayashi Jiboku’s control (udeganē)CC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341361Digital Resources/Online E-Resources |
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Film Fragment 14 - Disseminating the ideas of the thesis to actors and well-being classesCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341343Digital Resources/Online E-Resources |
| 5 |
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Film Fragment 6 - Play with the larger otome bunraku puppet using the dogane controlCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159585.v1Digital Resources/Online E-Resources |
| 6 |
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Film Fragment 3 - Demonstration of a lighter form of dogane puppet control supported in the waist of the puppeteerCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159606.v1Digital Resources/Online E-Resources |
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Film Fragment 10 - Otome bunraku puppetry performancesCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8158802.v1Digital Resources/Online E-Resources |
| 8 |
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Film frament 1 - Angel Delight demonstration of udegane puppet control for otome bunrakuCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159582.v1Digital Resources/Online E-Resources |
| 9 |
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Film Fragment 13 - The initial attraction to the otome bunraku technique was the head controlCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341340.v1Digital Resources/Online E-Resources |
| 10 |
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Film Fragment 5 - Demonstration of the dogane puppet body controlCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159600.v1Digital Resources/Online E-Resources |
| 11 |
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Film Fragment 7 - Play with light otome bunraku puppet using a dogane controlCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159603.v1Digital Resources/Online E-Resources |
| 12 |
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Film Fragment 16 - Disseminating the ideas of the thesis to actors and well-being classes. This puppet is the remodelled puppet from Out of VogueCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341349Digital Resources/Online E-Resources |
| 13 |
Material Type: Datasets
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Film Fragment 4 - puppet supported completely by the controlCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159594.v1Digital Resources/Online E-Resources |
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Film Fragment 11 - Demonstration of little burlesque dancer: the puppet as an inanimate objectCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341313.v1Digital Resources/Online E-Resources |
| 15 |
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Film Fragment 12 - Demonstration of baby self: the puppet as an inanimate objectCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341328.v1Digital Resources/Online E-Resources |
| 16 |
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Film Fragment 8 - Demonstrations using two types of dogane otome bunraku controlCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159591.v1Digital Resources/Online E-Resources |
| 17 |
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Film Fragment 9 - Otome bunraku- the passing of propsCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159588.v1Digital Resources/Online E-Resources |
| 18 |
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Film Fragment 2 - Demonstration of udegane puppet control for otome bunrakuCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.8159597.v1Digital Resources/Online E-Resources |
| 19 |
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Film Fragment 17 - Demonstration of two kinds of otome bunraku control used in this researchCC BY-NC 4.0 ;DOI: 10.17028/rd.lboro.11341352Digital Resources/Online E-Resources |
| 20 |
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Oporinus’ Dramata Sacra anthology (Basel, 1547): a historical and educational readingReligiâ, cerkovʹ, obŝestvo, 2019, Vol.8, p.160-183ISSN: 2308-0698 ;EISSN: 2308-0698 ;DOI: 10.24411/2308-0698-2019-00009Full text available |
Results 1 - 20 of 39 for All Library Resources
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