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Nomear é Dominar? Universalização do teatro e o silenciamento epistêmico sobre manifestações cênicas afro-brasileirasRevista Brasileira de Estudos da Presença, 2022, Vol.12 (4), p.1https://creativecommons.org/licenses/by/4.0 ;2022. This work is licensed under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and conditions, you may use this content in accordance with the terms of the License. ;This work is licensed under a Creative Commons Attribution 4.0 International License. ;ISSN: 2237-2660 ;EISSN: 2237-2660 ;DOI: 10.1590/2237-2660121806vs01Full text available |