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Material Type: Article
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Narrative Capital: A Mother’s Revenge, Lifetime, and the Culture IndustryFilm Criticism, 2018-01, Vol.42 (4)2018. This work is licensed under http://creativecommons.org/licenses/by-nc-nd/3.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Please contact mpub-help@umich.edu to use this work in a way not covered by the license. ;ISSN: 2471-4364 ;ISSN: 0163-5069 ;EISSN: 2471-4364 ;DOI: 10.3998/fc.13761232.0042.405Full text available |
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Material Type: Article
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Looking Back: Versions of the Post-Apocalypse in Contemporary North-American CinemaFilm Criticism, 2017-02, Vol.41 (1), p.1Copyright Michigan Publishing (University of Michigan Library) Feb 2017 ;This work is licensed under a Creative Commons Attribution 3.0 License. Please contact mpub-help@umich.edu to use this work in a way not covered by the license. This work is protected by copyright and may be linked to without seeking permission. Permission must be received for subsequent distribution in print or electronically. Please contact mpub-help@umich.edu for more information. ;ISSN: 2471-4364 ;ISSN: 0163-5069 ;EISSN: 2471-4364 ;DOI: 10.3998/fc.13761232.0041.102Full text available |
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Material Type: Article
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Bodies, Bullets, and Bad Guys: Elements of the Hardbody FilmFilm criticism, 2008-04, Vol.32 (3), p.41-67Copyright 2008 FILM CRITICISM ;COPYRIGHT 2008 Allegheny College ;COPYRIGHT 2008 Allegheny College ;Copyright Allegheny College Spring 2008 ;ISSN: 0163-5069 ;ISSN: 2471-4364 ;EISSN: 2471-4364Full text available |
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Material Type: Article
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Pedal Pushers: Spielberg, De Sica, and DismembermentFilm criticism, 2012-09, Vol.37 (1), p.19-34Copyright 2013 FILM CRITICISM ;COPYRIGHT 2012 Allegheny College ;COPYRIGHT 2012 Allegheny College ;Copyright Allegheny College Fall 2012 ;ISSN: 0163-5069 ;ISSN: 2471-4364 ;EISSN: 2471-4364Full text available |
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Material Type: Article
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Pleasing the Million: Originality, Authority, and Contamination in "Strange Brew"Literature film quarterly, 2014-04, Vol.42 (2), p.461-474 [Peer Reviewed Journal]Copyright 2014 Salisbury University ;COPYRIGHT 2014 Salisbury State University ;COPYRIGHT 2014 Salisbury State University ;Copyright Salisbury University 2014 ;ISSN: 0090-4260 ;EISSN: 2573-7597Full text available |
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Material Type: Article
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"You don't know about me without you have read a book": Authenticity in Adaptations of "Adventures of Huckleberry Finn"Literature film quarterly, 2013-10, Vol.41 (4), p.303-316 [Peer Reviewed Journal]Copyright 2013 Salisbury University ;COPYRIGHT 2013 Salisbury State University ;COPYRIGHT 2013 Salisbury State University ;Copyright Salisbury University 2013 ;ISSN: 0090-4260 ;EISSN: 2573-7597Full text available |
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Material Type: Article
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Screening "Huck Finn" in 1993: National Debts, Cultural Amnesia, and the Dismantling of the civil Rights AgendaLiterature film quarterly, 2009-01, Vol.37 (1), p.5-17 [Peer Reviewed Journal]Copyright 2009 Salisbury University ;Copyright Salisbury University 2009 ;ISSN: 0090-4260 ;EISSN: 2573-7597Full text available |