Result Number | Material Type | Add to My Shelf Action | Record Details and Options |
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1 |
Material Type: Article
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Musical instruments in Hans Memling's paintingsEarly music, 2007-11, Vol.35 (4), p.505-524 [Peer Reviewed Journal]Copyright 2007 Oxford University Press ;Early Music , Vol. XXXV, No. 4 © The Author 2007. Published by Oxford University Press. All rights reserved. 2007 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cam087Full text available |
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2 |
Material Type: Article
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Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860sEarly music, 2010-11, Vol.38 (4), p.571-584 [Peer Reviewed Journal]Oxford University Press 2010 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/caq073Full text available |
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3 |
Material Type: Article
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An encounter with Chinese music in mid-18th-century LondonEarly music, 2010-11, Vol.38 (4), p.543-558 [Peer Reviewed Journal]Oxford University Press 2010 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/caq076Full text available |
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4 |
Material Type: Article
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The history and significance of the Ladewijk Theewes claviorganEarly music, 2004-11, Vol.32 (4), p.577 [Peer Reviewed Journal]ISSN: 0306-1078 ;EISSN: 1741-7260Full text available |
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5 |
Material Type: Article
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Recent re-evaluations of the Baroque cello and what they might mean for performing the music of J. S. BachEarly music, 2010-05, Vol.38 (2), p.181-192 [Peer Reviewed Journal]2010 Oxford University Press ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/caq030Full text available |
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6 |
Material Type: Article
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Un-discarded images: illustrations of antique musical instruments in 17th- and 18th-century books, their sources and transmissionEarly music, 2007-05, Vol.35 (2), p.191-212 [Peer Reviewed Journal]Copyright 2007 Oxford University Press ;Early Music , Vol. XXXV, No. 2 © The Author 2007. Published by Oxford University Press. All rights reserved. 2007 ;Copyright © 2007 The Authors and Oxford University Press. ;ISSN: 0306-1078 ;ISSN: 1741-7260 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cam029Full text available |
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7 |
Material Type: Article
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The English flageolet, 1800–1900Early music, 2010-11, Vol.38 (4), p.559-570 [Peer Reviewed Journal]Oxford University Press 2010 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/caq081Full text available |
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8 |
Material Type: Article
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A new society for plucked stringsEarly music, 2009-11, Vol.37 (4), p.707-708 [Peer Reviewed Journal]Copyright 2009 Oxford University Press ;Early Music , Vol. XXXVII, No. 4 © The Author 2009. Published by Oxford University Press. All rights reserved. 2009 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cap108Full text available |
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9 |
Material Type: Article
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‘Regarding the clarinet’: Allgemeine musikalische Zeitung, 1808Early music, 2009-02, Vol.37 (1), p.89-100 [Peer Reviewed Journal]Copyright 2009 Oxford University Press ;Early Music , Vol. XXXVII, No. 1 © The Author 2009. Published by Oxford University Press. All rights reserved. 2009 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/can159Full text available |
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10 |
Material Type: Article
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Clef High and LowEarly music, 2007-02, Vol.35 (1), p.166-166 [Peer Reviewed Journal]Copyright 2007 Oxford University Press ;ISSN: 0306-1078 ;EISSN: 1741-7260Full text available |
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11 |
Material Type: Article
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An assessment of musicians and instrument-makers in Rome during Handel's stay: the 1708 Grand TaxationEarly music, 2009-11, Vol.37 (4), p.597-620 [Peer Reviewed Journal]Copyright 2009 Oxford University Press ;Early Music , Vol. XXXVII, No. 4 © The Author 2009. Published by Oxford University Press. All rights reserved. 2009 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cap075Full text available |
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12 |
Material Type: Article
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Pianos and harpsichords for Their MajestiesEarly music, 2008-08, Vol.36 (3), p.359-396 [Peer Reviewed Journal]Copyright 2008 Oxford University Press ;Early Music , Vol. XXXVI, No. 3 © The Author 2008. Published by Oxford University Press. All rights reserved. 2008 ;Early Music, Vol. XXXVI, No. 3 © The Author 2008. Published by Oxford University Press. All rights reserved. ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/can047Full text available |
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13 |
Material Type: Article
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‘Bonnie Sweet Recorder’: some issues arising from Arnold Dolmetsch's early English recorder performancesEarly music, 2007-02, Vol.35 (1), p.67-82 [Peer Reviewed Journal]Copyright 2007 Oxford University Press ;Early Music , Vol. XXXV, No. 1 © The Author 2007. Published by Oxford University Press. All rights reserved. 2007 ;Copyright © 2007 The Authors and Oxford University Press. ;Copyright Oxford University Press(England) Feb 2007 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cal126Full text available |
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14 |
Material Type: Article
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Lully's use of recorder symbolismEarly music, 2009-05, Vol.37 (2), p.217-250 [Peer Reviewed Journal]Copyright 2009 Oxford University Press ;Early Music , Vol. XXXVII, No. 2 © The Author 2009. Published by Oxford University Press. All rights reserved. 2009 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cap022Full text available |
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15 |
Material Type: Article
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Boris at BostonEarly Music, 2005-11, Vol.33 (4), p.741-743 [Peer Reviewed Journal]Copyright 2005 Oxford University Press ;Copyright © 2005 Oxford University Press. ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cah176Full text available |
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16 |
Material Type: Article
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Iconography in the history of the recorder up to 1430—Part 2Early music, 2006-02, Vol.34 (1), p.3-27 [Peer Reviewed Journal]Copyright 2006 Oxford University Press ;Copyright © 2006 The Authors and Oxford University Press. ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cah188Full text available |
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17 |
Material Type: Article
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On the trail of Purcell’s spinetEarly music, 2008-08, Vol.36 (3), p.409-414 [Peer Reviewed Journal]Copyright 2008 Oxford University Press ;Early Music , Vol. XXXVI, No. 3 © The Author 2008. Published by Oxford University Press. All rights reserved. 2008 ;Early Music, Vol. XXXVI, No. 3 © The Author 2008. Published by Oxford University Press. All rights reserved. ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/can077Full text available |
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18 |
Material Type: Article
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Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord makingEarly music, 2007-11, Vol.35 (4), p.575-604 [Peer Reviewed Journal]Copyright 2007 Oxford University Press ;Early Music , Vol. XXXV, No. 4 © The Author 2007. Published by Oxford University Press. All rights reserved. 2007 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cam092Full text available |
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19 |
Material Type: Article
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‘Verie sweete and artificiall’: Lorenzo Costa and the earliest violsEarly music, 2008-02, Vol.36 (1), p.3-18 [Peer Reviewed Journal]Copyright 2008 Oxford University Press ;Early Music , Vol. XXXVI, No. 1 © The Author 2008. Published by Oxford University Press. All rights reserved. 2008 ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cam147Full text available |
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20 |
Material Type: Article
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A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and pianoEarly music, 2005-11, Vol.33 (4), p.609-618 [Peer Reviewed Journal]Copyright 2005 Oxford University Press ;Copyright © 2005 Oxford University Press. ;ISSN: 0306-1078 ;EISSN: 1741-7260 ;DOI: 10.1093/em/cah152Full text available |