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1
Siddons's Ghost: Celebrity and Gender in Sheridan's "Pizarro"
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Article
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Siddons's Ghost: Celebrity and Gender in Sheridan's "Pizarro"

Theatre journal (Washington, D.C.), 2013-05, Vol.65 (2), p.183-196 [Peer Reviewed Journal]

2013 The Johns Hopkins University Press ;Copyright © The Johns Hopkins University Press. ;Copyright Johns Hopkins University Press May 2013 ;ISSN: 0192-2882 ;ISSN: 1086-332X ;EISSN: 1086-332X ;DOI: 10.1353/tj.2013.0046

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2
Early modern staging of throne scenes
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Article
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Early modern staging of throne scenes

Theatre notebook, 2017-10, Vol.71 (3), p.190-193 [Peer Reviewed Journal]

2012 Charity No.266186 (The Society for Theatre Research) ;COPYRIGHT 2017 The Society for Theatre Research ;COPYRIGHT 2017 The Society for Theatre Research ;Copyright Society for Theatre Research 2017 ;ISSN: 0040-5523 ;EISSN: 2051-8358

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3
Samuel Sandford and Colley Cibber: Two Players’ Acting Techniques and the Rise and Fall of Restoration Villain Tragedy on the London Stage from the 1670s to the 1730s
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Article
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Samuel Sandford and Colley Cibber: Two Players’ Acting Techniques and the Rise and Fall of Restoration Villain Tragedy on the London Stage from the 1670s to the 1730s

Theatre notebook, 2014-01, Vol.68 (3), p.136-152 [Peer Reviewed Journal]

2012 Charity No.266186 (The Society for Theatre Research) ;COPYRIGHT 2014 The Society for Theatre Research ;Copyright Society for Theatre Research 2014 ;ISSN: 0040-5523 ;EISSN: 2051-8358

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4
Sounding Black-ish: West Indian Pidgin in London Performance and Print
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Article
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Sounding Black-ish: West Indian Pidgin in London Performance and Print

Eighteenth-century studies, 2017-10, Vol.51 (1), p.63-87 [Peer Reviewed Journal]

2017 by the ASECS ;Copyright © The American Society for Eighteenth-Century Studies. ;Copyright Johns Hopkins University Press Fall 2017 ;ISSN: 0013-2586 ;ISSN: 1086-315X ;EISSN: 1086-315X ;DOI: 10.1353/ecs.2017.0047

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5
The Haymarket Theatre and Literary Property: Constructing Common Law Playright, 1770–1833
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Article
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The Haymarket Theatre and Literary Property: Constructing Common Law Playright, 1770–1833

Theatre notebook, 2015-06, Vol.69 (2), p.74-96 [Peer Reviewed Journal]

2012 Charity No.266186 (The Society for Theatre Research) ;COPYRIGHT 2015 The Society for Theatre Research ;COPYRIGHT 2015 The Society for Theatre Research ;Copyright Society for Theatre Research 2015 ;ISSN: 0040-5523 ;EISSN: 2051-8358

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6
"Weeping Mothers Shall Applaud": Sarah Yates as Margaret of Anjou on the London Stage, 1797
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Article
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"Weeping Mothers Shall Applaud": Sarah Yates as Margaret of Anjou on the London Stage, 1797

Comparative drama, 2015-12, Vol.49 (4), p.419-444 [Peer Reviewed Journal]

Copyright 2015 Comparative Drama ;Copyright © Comparative Drama. ;COPYRIGHT 2015 Comparative Drama ;COPYRIGHT 2015 Comparative Drama ;Copyright Western Michigan University, Department of English Winter 2015 ;ISSN: 0010-4078 ;ISSN: 1936-1637 ;EISSN: 1936-1637 ;DOI: 10.1353/cdr.2015.0038 ;CODEN: CPDRAP

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7
First Night in Bristol: Reflections on a 250th Anniversary
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Article
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First Night in Bristol: Reflections on a 250th Anniversary

New theatre quarterly, 2016-08, Vol.32 (3), p.203-209 [Peer Reviewed Journal]

Copyright © Cambridge University Press 2016 ;ISSN: 0266-464X ;ISSN: 1474-0613 ;EISSN: 1474-0613 ;DOI: 10.1017/S0266464X16000191

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8
That "Fine Word" Illegitimate: Children in Late Georgian Theater
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Article
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That "Fine Word" Illegitimate: Children in Late Georgian Theater

Studies in romanticism, 2015-06, Vol.54 (2), p.187-209 [Peer Reviewed Journal]

Copyright 2015 Trustees of Boston University ;Copyright © Trustees of Boston University ;COPYRIGHT 2015 Boston University ;ISSN: 0039-3762 ;ISSN: 2330-118X ;EISSN: 2330-118X ;DOI: 10.1353/srm.2015.0022

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9
Changing the Script: Rowson, Popular Drama, and Literary Masquerade
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Article
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Changing the Script: Rowson, Popular Drama, and Literary Masquerade

Studies in American fiction, 2011-03, Vol.38 (1), p.57-75 [Peer Reviewed Journal]

Copyright Johns Hopkins University Press Spring 2011 ;ISSN: 0091-8083 ;ISSN: 2158-5806 ;EISSN: 2158-5806 ;DOI: 10.1353/saf.2011.0011

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10
The Life and Death of Anna Gardie: American Theater, Refugee Dramas, and the Specter of Haitian Revolution
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Article
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The Life and Death of Anna Gardie: American Theater, Refugee Dramas, and the Specter of Haitian Revolution

Early American literature, 2016-09, Vol.51 (3), p.623-652 [Peer Reviewed Journal]

2016 by The University of North Carolina Press ;Copyright © 2008 The University of North Carolina Press. ;COPYRIGHT 2016 University of North Carolina Press ;COPYRIGHT 2016 University of North Carolina Press ;Copyright The University of North Carolina Press 2016 ;ISSN: 0012-8163 ;ISSN: 1534-147X ;EISSN: 1534-147X ;DOI: 10.1353/eal.2016.0049

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11
Staging Governance: Theatrical Imperialism in London, 1770–1800
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Book
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Staging Governance: Theatrical Imperialism in London, 1770–1800

ISBN: 1421427737 ;ISBN: 9781421427737 ;ISBN: 9780801879616 ;ISBN: 0801879612 ;DOI: 10.1353/book.60320

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12
Charlotte Charke, a Shilling, and a Shoulder of Mutton: The Risks of Performing Trauma
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Article
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Charlotte Charke, a Shilling, and a Shoulder of Mutton: The Risks of Performing Trauma

Theatre topics, 2016-11, Vol.26 (3), p.333-342 [Peer Reviewed Journal]

Copyright © The Johns Hopkins University Press. ;Copyright Johns Hopkins University Press Nov 2016 ;ISSN: 1054-8378 ;ISSN: 1086-3346 ;EISSN: 1086-3346 ;DOI: 10.1353/tt.2016.0057

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13
The Pirate, the Pirate-Hunter, and the Beginning of Early Modern Play Editing
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Article
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The Pirate, the Pirate-Hunter, and the Beginning of Early Modern Play Editing

English literary renaissance, 2015, Vol.45 (1), p.146-171 [Peer Reviewed Journal]

2015 The Author(s) ;2015 The Author(s). English Literary Renaissance © 2015 English Literary Renaissance Inc. ;ISSN: 0013-8312 ;ISSN: 1475-6757 ;EISSN: 1475-6757 ;DOI: 10.1111/1475-6757.12041

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14
"The Forgery of some modern Author"?: Theobald's Shakespeare and Cardenio's "Double Falsehood"
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Article
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"The Forgery of some modern Author"?: Theobald's Shakespeare and Cardenio's "Double Falsehood"

Shakespeare quarterly, 2011-12, Vol.62 (4), p.555-593 [Peer Reviewed Journal]

Copyright © 2012 Folger Shakespeare Library ;Copyright © The Folger Shakespeare Library. ;Copyright Johns Hopkins University Press Winter 2011 ;ISSN: 0037-3222 ;ISSN: 1538-3555 ;EISSN: 1538-3555 ;DOI: 10.1353/shq.2011.0074

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15
Database-oriented annotation of Early Modern plays: a proposal
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Article
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Database-oriented annotation of Early Modern plays: a proposal

SEDERI. Sociedad Española de Estudios Renacentistas Ingleses, 2016, Vol.26 (26), p.129-156

Copyright Sociedad Española y Portuguesa de Estudios Renacentistas Ingleses 2016 ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1135-7789 ;DOI: 10.34136/sederi.2016.6

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16
Introduction: Three Theses on Performance and History
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Article
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Introduction: Three Theses on Performance and History

Eighteenth-century studies, 2015-06, Vol.48 (4), p.375-390 [Peer Reviewed Journal]

Copyright © 2015 American Society for Eighteenth-Century Studies ;Copyright © The American Society for Eighteenth-Century Studies. ;Copyright Johns Hopkins University Press Summer 2015 ;ISSN: 0013-2586 ;ISSN: 1086-315X ;EISSN: 1086-315X ;DOI: 10.1353/ecs.2015.0028

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17
Refugee Theatre: Melodrama and Modernity's Loss
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Article
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Refugee Theatre: Melodrama and Modernity's Loss

Theatre journal (Washington, D.C.), 2009-05, Vol.61 (2), p.175-190 [Peer Reviewed Journal]

2009 The Johns Hopkins University Press ;Copyright © 2008 The Johns Hopkins University Press. ;Copyright Johns Hopkins University Press May 2009 ;ISSN: 0192-2882 ;ISSN: 1086-332X ;EISSN: 1086-332X ;DOI: 10.1353/tj.0.0192

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18
Killing Mrs. Siddons: The Actress and the Adulteress in Late Georgian Britain
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Article
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Killing Mrs. Siddons: The Actress and the Adulteress in Late Georgian Britain

Studies in romanticism, 2012-10, Vol.51 (3), p.419-448 [Peer Reviewed Journal]

Copyright 2012 Trustees of Boston University ;COPYRIGHT 2012 Boston University ;Copyright Trustees of Boston University Fall 2012 ;ISSN: 0039-3762 ;ISSN: 2330-118X ;EISSN: 2330-118X ;DOI: 10.1353/srm.2012.0018

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19
The Legible Face and the Illegible Body: Face-Work in Lichtenberg, Haywood, and Garrick
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Article
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The Legible Face and the Illegible Body: Face-Work in Lichtenberg, Haywood, and Garrick

ELH, 2018-09, Vol.85 (3), p.715-746 [Peer Reviewed Journal]

Copyright © The Johns Hopkins University Press. ;Copyright Johns Hopkins University Press Fall 2018 ;ISSN: 0013-8304 ;ISSN: 1080-6547 ;EISSN: 1080-6547 ;DOI: 10.1353/elh.2018.0026

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20
The Spouters' Revenge: Apprentice Actors and the Imitation of London's Theatrical Celebrities
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Article
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The Spouters' Revenge: Apprentice Actors and the Imitation of London's Theatrical Celebrities

The Eighteenth century (Lubbock), 2012-04, Vol.53 (1), p.41-71 [Peer Reviewed Journal]

Copyright © 2012 University of Pennsylvania Press ;Copyright © 2012 University of Pennsylvania Press. ;Copyright University of Pennsylvania Press Spring 2012 ;ISSN: 0193-5380 ;ISSN: 1935-0201 ;EISSN: 1935-0201 ;DOI: 10.1353/ecy.2012.0005

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