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1
Theatre business strategy in Madrid's "corrales de comedias": What we learn from the account books and other documentary sources (1700-1744)
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Theatre business strategy in Madrid's "corrales de comedias": What we learn from the account books and other documentary sources (1700-1744)

UCJC business and society review, 2021-09 (71), p.126-191 [Peer Reviewed Journal]

2021. This work is published under https://www.jdb.uzh.ch/id/eprint/27834/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;EISSN: 2659-3270 ;DOI: 10.3232/UBR.2021.V18.N3.03

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2
Antecedentes del slapstick en la comedia de Menandro: Lanzamiento de objetos, golpes, tropezones y caídas cómicas
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Antecedentes del slapstick en la comedia de Menandro: Lanzamiento de objetos, golpes, tropezones y caídas cómicas

Co-herencia, 2021, Vol.18 (35), p.53-75 [Peer Reviewed Journal]

2021. This work is published under http://creativecommons.org/licenses/by/4.0 (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1794-5887 ;EISSN: 2539-1208 ;DOI: 10.17230/co-herencia.18.35.3

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3
Kafka y la comedia: una lucha formal contra la opresión
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Kafka y la comedia: una lucha formal contra la opresión

Araucaria (Triana), 2022, Vol.24 (49), p.38-57 [Peer Reviewed Journal]

2022. This work is published under https://creativecommons.org/licenses/by-nc-sa/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1575-6823 ;ISSN: 2340-2199 ;EISSN: 2340-2199 ;DOI: 10.12795/araucaria.2022.i49.03

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4
Auge y Declive de la "Democracia Ateniense" a través del Teatro
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Auge y Declive de la "Democracia Ateniense" a través del Teatro

Araucaria (Triana), 2021-01, Vol.23 (46), p.47-70 [Peer Reviewed Journal]

2021. This work is published under https://creativecommons.org/licenses/by-nc-sa/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1575-6823 ;ISSN: 2340-2199 ;EISSN: 2340-2199 ;DOI: 10.12795/ARAUCARIA.2021.I46.03

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5
Isabel Sainz Bariáin, Poder, fasto y teatro: la "Comedia de san Francisco de Borja" (1640), de Matías de Bocanegra, en su contexto festivo. Pról. de Miguel Zugasti. Publicaciones de la Universidad de Alicante, Murcia, 2017; 444 pp
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Isabel Sainz Bariáin, Poder, fasto y teatro: la "Comedia de san Francisco de Borja" (1640), de Matías de Bocanegra, en su contexto festivo. Pról. de Miguel Zugasti. Publicaciones de la Universidad de Alicante, Murcia, 2017; 444 pp

Nueva Revista de Filologia Hispanica, 2020-07, Vol.68 (2), p.793-797 [Peer Reviewed Journal]

2020. This work is published under https://creativecommons.org/licenses/by-nc/4.0/deed.es (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 0185-0121 ;EISSN: 2448-6558 ;DOI: 10.24201/nrfh.v68i2.3663

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6
Adapting La dama boba and The Taming of the Shrew for a Foreign Audience
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Adapting La dama boba and The Taming of the Shrew for a Foreign Audience

Bulletin of the Comediantes, 2015, Vol.67 (1), p.119-129 [Peer Reviewed Journal]

Copyright © Bulletin of the Comediantes ;COPYRIGHT 2015 Department of Spanish and Portuguese, San Diego State University ;Copyright San Diego State University, Dept. of Spanish and Portuguese 2015 ;ISSN: 0007-5108 ;ISSN: 1944-0928 ;EISSN: 1944-0928 ;DOI: 10.1353/boc.2015.0010

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7
The Restoration of Gräfin Küchenfee
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The Restoration of Gräfin Küchenfee

Journal of film preservation, 2019-10 (101), p.128-133

Copyright International Federation of Film Archives Oct 2019 ;ISSN: 1609-2694

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8
Los modelos familiares en la comedia televisiva española: (1990-2010)
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Los modelos familiares en la comedia televisiva española: (1990-2010)

Revista latina de comunicación social, 2019-01 (74), p.1-11

2019. This work is published under https://creativecommons.org/licenses/by-nc-nd/3.0/es/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1138-5820 ;EISSN: 1138-5820 ;DOI: 10.4185/RLCS-2019-1318t

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9
ALGUNOS PARADIGMAS COMPOSITIVOS EN LA COMEDIA BURLESCA LA VENIDA DEL DUQUE DE GUISA CON SU ARMADA A CASTELAMAR
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ALGUNOS PARADIGMAS COMPOSITIVOS EN LA COMEDIA BURLESCA LA VENIDA DEL DUQUE DE GUISA CON SU ARMADA A CASTELAMAR

Atalanta (Sevilla), 2021-07, Vol.9 (2), p.57-87 [Peer Reviewed Journal]

2021. This work is published under https://creativecommons.org/licenses/by-nc-sa/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 2340-1176 ;EISSN: 2340-1176 ;DOI: 10.14643/92C

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10
Adapting La dama boba and The Taming of the Shrew for a Foreign Audience
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Article
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Adapting La dama boba and The Taming of the Shrew for a Foreign Audience

Bulletin of the Comediantes, 2015-01, Vol.67 (1), p.119-V [Peer Reviewed Journal]

ISSN: 0007-5108 ;EISSN: 1944-0928

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11
El impacto social de la Guerra del Peloponeso a través de las comedias aristofánicas
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El impacto social de la Guerra del Peloponeso a través de las comedias aristofánicas

Myrtia, 2018-01, Vol.33, p.11-29 [Peer Reviewed Journal]

Copyright Servicio de Publicaciones, Universidad de Murcia 2018 ;ISSN: 0213-7674 ;EISSN: 1989-4619

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12
HELENA DE EURÍPIDES: ENTRE LO CÓMICO Y LO TRÁGICO
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HELENA DE EURÍPIDES: ENTRE LO CÓMICO Y LO TRÁGICO

Perífrasis, 2017-07, Vol.8 (16), p.102-116 [Peer Reviewed Journal]

COPYRIGHT 2017 Universidad de los Andes (Colombia) ;Copyright Universidad de Los Andes Jul-Dec 2017 ;This work is licensed under a Creative Commons Attribution 4.0 International License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 2145-8987 ;ISSN: 2145-9045 ;EISSN: 2145-9045 ;DOI: 10.25025/perifrasis20178.16.06

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13
LA DIMENSIÓN ARGUMENTATIVA DE LOS TÓPICOS LITERARIOS: EL CASO DE LOS PERSONAJES-TIPO EN LA COMEDIA DE ARISTÓFANES
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LA DIMENSIÓN ARGUMENTATIVA DE LOS TÓPICOS LITERARIOS: EL CASO DE LOS PERSONAJES-TIPO EN LA COMEDIA DE ARISTÓFANES

Alpha (Osorno, Chile), 2017-12 (45), p.59-75

Copyright Universidad de los Lagos Dec 2017 ;This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 0716-4254 ;ISSN: 0718-2201 ;EISSN: 0718-2201 ;DOI: 10.4067/S0718-22012017000200059

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14
Finea's "desván famoso": Approaches to Translating the Untranslatable
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Finea's "desván famoso": Approaches to Translating the Untranslatable

Bulletin of the Comediantes, 2015-01, Vol.67 (1), p.57-IV [Peer Reviewed Journal]

ISSN: 0007-5108 ;EISSN: 1944-0928

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15
Yolanda Rodríguez Pérez y Antonio Sánchez Jiménez (eds.), La Leyenda Negra en el crisol de la comedia. El teatro del Siglo de Oro frente a los estereotipos antihispánicos. Iberoamericana-Vervuert, Madrid-Frankfurt/M., 2016; 242 pp. (Tiempo Emulado / Historia de América y España, 51)
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Yolanda Rodríguez Pérez y Antonio Sánchez Jiménez (eds.), La Leyenda Negra en el crisol de la comedia. El teatro del Siglo de Oro frente a los estereotipos antihispánicos. Iberoamericana-Vervuert, Madrid-Frankfurt/M., 2016; 242 pp. (Tiempo Emulado / Historia de América y España, 51)

Nueva Revista de Filologia Hispanica, 2019-06, Vol.67 (2), p.682-690 [Peer Reviewed Journal]

2019. This work is published under https://creativecommons.org/licenses/by-nc/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. ;ISSN: 0185-0121 ;ISSN: 2448-6558 ;EISSN: 2448-6558 ;DOI: 10.24201/nrfh.v67i2.3538

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16
Reminiscing: Comedia, BCom, Everett, Other Players, and a Strong Supporting Cast
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Reminiscing: Comedia, BCom, Everett, Other Players, and a Strong Supporting Cast

Bulletin of the Comediantes, 2016-01, Vol.68 (2), p.232-238 [Peer Reviewed Journal]

Copyright San Diego State University, Dept. of Spanish and Portuguese 2016 ;ISSN: 0007-5108 ;EISSN: 1944-0928

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17
Stefano Arata y el hispanismo italiano, veinte años después
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Stefano Arata y el hispanismo italiano, veinte años después

Bulletin of the Comediantes, 2021-01, Vol.73 (1), p.69-81 [Peer Reviewed Journal]

COPYRIGHT 2021 Department of Spanish and Portuguese, San Diego State University ;Copyright University of Georgia, Department of Romance Languages 2021 ;ISSN: 0007-5108 ;EISSN: 1944-0928 ;DOI: 10.1353/boc.2021.0005

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18
De parientes, putas y pobres. Aproximación a las comedias más exitosas de los primeros gobiernos socialistas (1982-1996)
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De parientes, putas y pobres. Aproximación a las comedias más exitosas de los primeros gobiernos socialistas (1982-1996)

Área abierta, 2019-01, Vol.19 (1), p.93-104

2019. This work is licensed under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1578-8393 ;EISSN: 1578-8393 ;DOI: 10.5209/ARAB.61570

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19
Expresiones directivas con verbos de uso copulativo en la comedia latina
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Expresiones directivas con verbos de uso copulativo en la comedia latina

Glotta (Göttingen), 2019-01, Vol.95, p.8-25 [Peer Reviewed Journal]

Copyright Vandenhoeck und Ruprecht 2019 ;ISSN: 0017-1298 ;EISSN: 2196-9043 ;DOI: 10.13109/glot.2019.95.1.8

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20
The Collection of Slapstick Comedies of the Národní Filmovy Archiv
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The Collection of Slapstick Comedies of the Národní Filmovy Archiv

Journal of film preservation, 2010-04 (82), p.53

ISSN: 1609-2694

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