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1
Lope más allá de Lope: en los preliminares de libros ajenos
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Lope más allá de Lope: en los preliminares de libros ajenos

Anuario Lope de Vega, 2024, Vol.30 (30), p.281-311 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.511

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2
The Moderniſa Project: Orthographic Modernization of Spanish Golden Age Dramas with Language Models
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The Moderniſa Project: Orthographic Modernization of Spanish Golden Age Dramas with Language Models

Anuario Lope de Vega, 2024-01, Vol.30 (30), p.410-425 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.530

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3
Lope de Vega Really Did Embark on the Spanish Armada
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Lope de Vega Really Did Embark on the Spanish Armada

Anuario Lope de Vega, 2022-01, Vol.28, p.466 [Peer Reviewed Journal]

2022. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.437

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4
Pues vive, escribe imprime y desengaña»: La representación autorial de Lope de Vega a través de las poesías paratextuales de sus obras
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Pues vive, escribe imprime y desengaña»: La representación autorial de Lope de Vega a través de las poesías paratextuales de sus obras

Anuario Lope de Vega, 2024, Vol.30 (30), p.52-81 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.517

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5
Juan Pérez de Montalbán, «Obras. Segundo tomo de comedias. Volumen 2.4», ed. general María Moya, eds. D. Rodríguez Ortega, M. García Quintero, C. Demattè
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Juan Pérez de Montalbán, «Obras. Segundo tomo de comedias. Volumen 2.4», ed. general María Moya, eds. D. Rodríguez Ortega, M. García Quintero, C. Demattè

Anuario Lope de Vega, 2024-01, Vol.30 (30), p.482-488 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.528

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6
Comedias de Agustín Moreto: «Hacer remedio el dolor» (Obras escritas en colaboración) / «Amor y Obligación
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Comedias de Agustín Moreto: «Hacer remedio el dolor» (Obras escritas en colaboración) / «Amor y Obligación

Anuario Lope de Vega, 2024-01, Vol.30 (30), p.534-540 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.524

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7
Francisco Domínguez Matito, ed., Los retoños de «El enano de las Musas. Estudios sobre la dramaturgia de Álvaro Cubillo de Aragón
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Article
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Francisco Domínguez Matito, ed., Los retoños de «El enano de las Musas. Estudios sobre la dramaturgia de Álvaro Cubillo de Aragón

Anuario Lope de Vega, 2024-01, Vol.30, p.533 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.529

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8
Lope de Vega, «La discreta enamorada / The Cleverest Girl in Madrid», Donald R. Larson y Susan Paun de García, eds
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Lope de Vega, «La discreta enamorada / The Cleverest Girl in Madrid», Donald R. Larson y Susan Paun de García, eds

Anuario Lope de Vega, 2024-01, Vol.30 (30), p.499-503 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.527

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9
Gennaro Schiano, «Relatar la catástrofe en el Siglo de Oro: entre noticia y narración
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Article
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Gennaro Schiano, «Relatar la catástrofe en el Siglo de Oro: entre noticia y narración

Anuario Lope de Vega, 2024-01, Vol.30 (30), p.529-533 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.523

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10
Héctor Urzáiz Tortajada, «La censura teatral en el Siglo de Oro
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Héctor Urzáiz Tortajada, «La censura teatral en el Siglo de Oro

Anuario Lope de Vega, 2024-01, Vol.30 (30), p.516-520 [Peer Reviewed Journal]

2024. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.539

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11
Sobre algunas portadas de «La Arcadia» de Lope de Vega
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Sobre algunas portadas de «La Arcadia» de Lope de Vega

Anuario Lope de Vega, 2022, Vol.28, p.329 [Peer Reviewed Journal]

2022. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.411

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12
Laura L. Vidler, «Performance Reconstruction and Spanish Golden Age Drama. Reviving and Revising the Comedia
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Laura L. Vidler, «Performance Reconstruction and Spanish Golden Age Drama. Reviving and Revising the Comedia

Anuario Lope de Vega, 2018-01, Vol.24, p.394 [Peer Reviewed Journal]

2018. This work is published under http://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.271

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13
Tras el coral perdido (en Lope de Vega y otros autores de su tiempo)
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Tras el coral perdido (en Lope de Vega y otros autores de su tiempo)

Anuario Lope de Vega, 2023, Vol.29 (29), p.71-96 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1136-5773 ;ISSN: 2014-8860 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.480

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14
Celsa Carmen García Valdés, ed., «Antología de la literatura burlesca del Siglo de Oro. Entremeses de burlas
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Celsa Carmen García Valdés, ed., «Antología de la literatura burlesca del Siglo de Oro. Entremeses de burlas

Anuario Lope de Vega, 2023-01, Vol.29, p.557 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.489

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15
Lope de Vega, «La Gatomaquia», ed. A. Sánchez Jiménez
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Lope de Vega, «La Gatomaquia», ed. A. Sánchez Jiménez

Anuario Lope de Vega, 2023-01, Vol.29, p.562 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.501

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16
Abraham Madroñal Durán, «El renacer del Fénix: 'Yo he hecho lo que he podido, Fortuna lo que ha querido'. Una nueva comedia de Lope de Vega
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Abraham Madroñal Durán, «El renacer del Fénix: 'Yo he hecho lo que he podido, Fortuna lo que ha querido'. Una nueva comedia de Lope de Vega

Anuario Lope de Vega, 2023-01, Vol.29, p.554 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.498

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17
Francisco Domínguez Matito, Juan Manuel Escudero Baztán, Rebeca Lázaro Niso, eds., «Mujer y sociedad en la literatura del Siglo de Oro
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Francisco Domínguez Matito, Juan Manuel Escudero Baztán, Rebeca Lázaro Niso, eds., «Mujer y sociedad en la literatura del Siglo de Oro

Anuario Lope de Vega, 2023-01, Vol.29 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.500

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18
Pedro Conde Parrado, ed., «Lope de Vega crítico de Góngora. Cartas de Lope "a un señor de estos reinos". Respuestas de Colmenares
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Pedro Conde Parrado, ed., «Lope de Vega crítico de Góngora. Cartas de Lope "a un señor de estos reinos". Respuestas de Colmenares

Anuario Lope de Vega, 2023-01, Vol.29, p.573 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.497

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19
Jesús Gómez, «La literatura y el ocio en la sociedad cortesana del Siglo de Oro
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Jesús Gómez, «La literatura y el ocio en la sociedad cortesana del Siglo de Oro

Anuario Lope de Vega, 2023-01, Vol.29, p.578 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.503

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20
Paula Casariego Castiñeira, «Las academias en el teatro áureo. Un recorrido por las comedias de Calderón de la Barca
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Paula Casariego Castiñeira, «Las academias en el teatro áureo. Un recorrido por las comedias de Calderón de la Barca

Anuario Lope de Vega, 2023-01, Vol.29, p.588 [Peer Reviewed Journal]

2023. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. ;ISSN: 1136-5773 ;EISSN: 2014-8860 ;DOI: 10.5565/rev/anuariolopedevega.504

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