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1
Representing the Plague in Early Modern England
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Book
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Representing the Plague in Early Modern England

2011 Taylor & Francis ;ISBN: 9780415877978 ;ISBN: 0415877970 ;ISBN: 9780415634182 ;ISBN: 0415634180 ;EISBN: 9780203850565 ;EISBN: 9781136963247 ;EISBN: 0203850564 ;EISBN: 1136963243 ;EISBN: 1136963235 ;EISBN: 9781136963230 ;EISBN: 9780415877978 ;EISBN: 0415877970 ;DOI: 10.4324/9780203850565 ;OCLC: 664551577

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2
"Be as a Planetary Plague": Pestilence and Cure in Timon of Athens
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Article
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"Be as a Planetary Plague": Pestilence and Cure in Timon of Athens

The Huntington Library quarterly, 2020-07, Vol.83 (2), p.269-290 [Peer Reviewed Journal]

2020 by Henry E. Huntington Library and Art Gallery ;Henry E. Huntington Library and Art Gallery ;Copyright University of Pennsylvania Press Summer 2020 ;ISSN: 0018-7895 ;ISSN: 1544-399X ;EISSN: 1544-399X ;DOI: 10.1353/hlq.2020.0010

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3
'The gully-hole of literature': on the enregisterment of cant language in seventeenth-century England
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Article
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'The gully-hole of literature': on the enregisterment of cant language in seventeenth-century England

SEDERI. Sociedad Española de Estudios Renacentistas Ingleses, 2018, Vol.28 (28), p.99-117

Copyright Sociedad Española y Portuguesa de Estudios Renacentistas Ingleses 2018 ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1135-7789 ;DOI: 10.34136/sederi.2018.5

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4
More Than Kin, Less Than Kind: Similitude, Strangeness, and Early Modern English Homonationalisms
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Article
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More Than Kin, Less Than Kind: Similitude, Strangeness, and Early Modern English Homonationalisms

Shakespeare quarterly, 2016-04, Vol.67 (1), p.14-29 [Peer Reviewed Journal]

Copyright © 2016 Folger Shakespeare Library ;Copyright © The Folger Shakespeare Library. ;Copyright Johns Hopkins University Press Spring 2016 ;ISSN: 0037-3222 ;ISSN: 1538-3555 ;EISSN: 1538-3555 ;DOI: 10.1353/shq.2016.0006

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5
Men in The Making: Youth, the Repertory, and The 'Children' Of the Queen'S Revels, 1609–13
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Article
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Men in The Making: Youth, the Repertory, and The 'Children' Of the Queen'S Revels, 1609–13

ELH, 2018-09, Vol.85 (3), p.599-629 [Peer Reviewed Journal]

Copyright © The Johns Hopkins University Press. ;Copyright Johns Hopkins University Press Fall 2018 ;ISSN: 0013-8304 ;ISSN: 1080-6547 ;EISSN: 1080-6547 ;DOI: 10.1353/elh.2018.0022

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6
Breathe Less, and Farther Off: The Hazardous Proximity of Other Bodies in Jonson’s The Alchemist
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Article
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Breathe Less, and Farther Off: The Hazardous Proximity of Other Bodies in Jonson’s The Alchemist

Studies in philology, 2018-06, Vol.115 (3), p.505-523 [Peer Reviewed Journal]

2018 Studies in Philology, Incorporated ;Copyright © 2008 The University of North Carolina Press. ;COPYRIGHT 2018 University of North Carolina Press ;Copyright The University of North Carolina Press Summer 2018 ;ISSN: 0039-3738 ;ISSN: 1543-0383 ;EISSN: 1543-0383 ;DOI: 10.1353/sip.2018.0018

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7
To Plant Me in Mine Own Inheritance: Prolepsis and Pretenders in John Ford’s Perkin Warbeck
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Article
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To Plant Me in Mine Own Inheritance: Prolepsis and Pretenders in John Ford’s Perkin Warbeck

Studies in philology, 2018-06, Vol.115 (3), p.580-597 [Peer Reviewed Journal]

2018 Studies in Philology, Incorporated ;Copyright © 2008 The University of North Carolina Press. ;COPYRIGHT 2018 University of North Carolina Press ;Copyright The University of North Carolina Press Summer 2018 ;ISSN: 0039-3738 ;ISSN: 1543-0383 ;EISSN: 1543-0383 ;DOI: 10.1353/sip.2018.0021

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8
‘[H]ow much of the French is in this’: Aphra Behn’s use of humour in Sir Patient Fancy (1678)
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Article
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‘[H]ow much of the French is in this’: Aphra Behn’s use of humour in Sir Patient Fancy (1678)

Odisea (Almería, Spain), 2017-03 (14), p.153-166

ISSN: 1578-3820 ;EISSN: 2174-1611 ;DOI: 10.25115/odisea.v0i14.263

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9
John Webster, the dark and violent playwright?
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Article
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John Webster, the dark and violent playwright?

ANQ (Lexington, Ky.), 2018-07, Vol.31 (3), p.201-210 [Peer Reviewed Journal]

2018 The Author(s). Published by Taylor & Francis. 2018 ;ISSN: 0895-769X ;EISSN: 1940-3364 ;DOI: 10.1080/0895769X.2018.1445515

Digital Resources/Online E-Resources

10
Reading Dramatic Character Through Dramatis Personae in Early Modern Printed Drama
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Article
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Reading Dramatic Character Through Dramatis Personae in Early Modern Printed Drama

Studies in philology, 2018-03, Vol.115 (2), p.312-342 [Peer Reviewed Journal]

2018 by Studies in Philology ;Copyright © 2008 The University of North Carolina Press. ;COPYRIGHT 2018 University of North Carolina Press ;Copyright The University of North Carolina Press Spring 2018 ;ISSN: 0039-3738 ;ISSN: 1543-0383 ;EISSN: 1543-0383 ;DOI: 10.1353/sip.2018.0012

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11
[N]or bear I in this breast / So much cold spirit to be called a woman: The Queerness of Female Revenge in The Maid’s Tragedy
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Article
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[N]or bear I in this breast / So much cold spirit to be called a woman: The Queerness of Female Revenge in The Maid’s Tragedy

Early Theatre, 2018-06, Vol.21 (1), p.107-126 [Peer Reviewed Journal]

Early Theatre ;Copyright © Early Theatre ;COPYRIGHT 2018 Early Theatre ;Copyright McMaster University Press 2018 ;ISSN: 1206-9078 ;ISSN: 2293-7609 ;EISSN: 1206-9078 ;EISSN: 2293-7609 ;DOI: 10.12745/et.21.1.3257

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12
Impotence Made Public: Reading Sex on the Stage and in the Courtroom
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Article
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Impotence Made Public: Reading Sex on the Stage and in the Courtroom

ELH, 2018-06, Vol.85 (2), p.441-469 [Peer Reviewed Journal]

Copyright © The Johns Hopkins University Press. ;Copyright Johns Hopkins University Press Summer 2018 ;ISSN: 0013-8304 ;ISSN: 1080-6547 ;EISSN: 1080-6547 ;DOI: 10.1353/elh.2018.0017

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13
Look What Market She Hath Made: Women, Commerce, and Power in A Chaste Maid in Cheapside and Bartholomew Fair
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Article
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Look What Market She Hath Made: Women, Commerce, and Power in A Chaste Maid in Cheapside and Bartholomew Fair

Early theatre, 2018-06, Vol.21 (1), p.127-144 [Peer Reviewed Journal]

Early Theatre ;Copyright © Early Theatre ;COPYRIGHT 2018 Early Theatre ;Copyright McMaster University Press 2018 ;ISSN: 1206-9078 ;EISSN: 1206-9078 ;DOI: 10.12745/et.21.1.3170

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14
Unmapping London: Urbanization and the Performance of Personal Space in Aphra Behn's "The Lucky Chance"
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Article
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Unmapping London: Urbanization and the Performance of Personal Space in Aphra Behn's "The Lucky Chance"

Eighteenth-century studies, 2017-01, Vol.50 (2), p.155-171 [Peer Reviewed Journal]

Copyright © 2017 American Society for Eighteenth-Century Studies ;Copyright © The American Society for Eighteenth-Century Studies. ;Copyright Johns Hopkins University Press Winter 2017 ;ISSN: 0013-2586 ;ISSN: 1086-315X ;EISSN: 1086-315X ;DOI: 10.1353/ecs.2017.0001

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15
'Such a mistake as I have often seen/In a play': The Duchess of Malfi, a tragedy of errors
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Article
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'Such a mistake as I have often seen/In a play': The Duchess of Malfi, a tragedy of errors

Etudes anglaises, 2018-07, Vol.71 (3), p.293-379

Copyright Éditions Klincksieck Jul-Sep 2018 ;Distributed under a Creative Commons Attribution 4.0 International License ;ISSN: 0014-195X ;EISSN: 1965-0159 ;DOI: 10.3917/etan.713.0293

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16
Early modern staging of throne scenes
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Article
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Early modern staging of throne scenes

Theatre notebook, 2017-10, Vol.71 (3), p.190-193 [Peer Reviewed Journal]

2012 Charity No.266186 (The Society for Theatre Research) ;COPYRIGHT 2017 The Society for Theatre Research ;COPYRIGHT 2017 The Society for Theatre Research ;Copyright Society for Theatre Research 2017 ;ISSN: 0040-5523 ;EISSN: 2051-8358

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17
Daring to Pry into the Privy Chamber of Heaven: Early Modern Mock-Almanacs and the Virtues of Ignorance
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Article
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Daring to Pry into the Privy Chamber of Heaven: Early Modern Mock-Almanacs and the Virtues of Ignorance

Studies in philology, 2018-01, Vol.115 (1), p.129-153 [Peer Reviewed Journal]

2018 by Studies in Philology ;Copyright © 2008 The University of North Carolina Press. ;COPYRIGHT 2018 University of North Carolina Press ;Copyright The University of North Carolina Press Winter 2018 ;ISSN: 0039-3738 ;ISSN: 1543-0383 ;EISSN: 1543-0383 ;DOI: 10.1353/sip.2018.0005

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18
Aphra Behn’s The Forc’d Marriage at Lincoln’s Inn Fields
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Article
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Aphra Behn’s The Forc’d Marriage at Lincoln’s Inn Fields

Studies in philology, 2018-01, Vol.115 (1), p.193-217 [Peer Reviewed Journal]

2018 by Studies in Philology ;Copyright © 2008 The University of North Carolina Press. ;COPYRIGHT 2018 University of North Carolina Press ;Copyright The University of North Carolina Press Winter 2018 ;ISSN: 0039-3738 ;ISSN: 1543-0383 ;EISSN: 1543-0383 ;DOI: 10.1353/sip.2018.0007

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19
Empirical Middleton: "Macbeth", Adaptation, and Microauthorship
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Article
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Empirical Middleton: "Macbeth", Adaptation, and Microauthorship

Shakespeare quarterly, 2014-10, Vol.65 (3), p.239-272 [Peer Reviewed Journal]

Copyright © 2014 Folger Shakespeare Library ;Copyright © The Folger Shakespeare Library. ;Copyright Johns Hopkins University Press Fall 2014 ;ISSN: 0037-3222 ;ISSN: 1538-3555 ;EISSN: 1538-3555 ;DOI: 10.1353/shq.2014.0030

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20
'I knew him in Padua': London theatre and Early Modern constructions of erudition
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Article
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'I knew him in Padua': London theatre and Early Modern constructions of erudition

SEDERI. Sociedad Española de Estudios Renacentistas Ingleses, 2018, Vol.28 (28), p.7-32

Copyright Sociedad Española y Portuguesa de Estudios Renacentistas Ingleses 2018 ;LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI ;ISSN: 1135-7789 ;DOI: 10.34136/sederi.2018.1

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