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Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain By Nicholas R. Jones. Iberian Encounter and Exchange, 475–1755. University Park: Pennsylvania State University Press, 2019; pp. xxiii + 221, 15 illustrations. $89.95 cloth, $34.95 paper, $39.99 e-book

Theatre Survey, 2021, Vol.62 (1), p.123-126 [Peer Reviewed Journal]

Copyright © The authors, 2020. Published by Cambridge University Press on behalf of The American Society for Theatre Research, Inc. ;ISSN: 0040-5574 ;EISSN: 1475-4533 ;DOI: 10.1017/S0040557420000551

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  • Title:
    Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain By Nicholas R. Jones. Iberian Encounter and Exchange, 475–1755. University Park: Pennsylvania State University Press, 2019; pp. xxiii + 221, 15 illustrations. $89.95 cloth, $34.95 paper, $39.99 e-book
  • Author: Fra-Molinero, Baltasar
  • Subjects: Book Reviews: Edited by Donovan Sherman, with Sanna Fogt ; Critical theory ; Diaspora ; E-books ; Early modern period ; Historical performance ; Linguistics ; Philology
  • Is Part Of: Theatre Survey, 2021, Vol.62 (1), p.123-126
  • Description: University Park: Pennsylvania State University Press, 2019 ; pp. xxiii + 221, 15 illustrations. $89.95 cloth, $34.95 paper, $39.99 e-book. Jones insists in viewing habla de negros as a form of speech that conveys multiple meanings of Blackness. [...]it cannot be separated from other elements of early modern Black performance: dance, sound, costume, food, and ultimately, the self-fashioning of the Black body. According to Cervantes, Lope de Rueda was a celebrated impersonator of negra characters.
  • Publisher: New York, USA: Cambridge University Press
  • Language: English
  • Identifier: ISSN: 0040-5574
    EISSN: 1475-4533
    DOI: 10.1017/S0040557420000551
  • Source: ProQuest Central
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