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Craftivism and Cottonian Bindings: "The Handiwork of Greta Hall"
Criticism (Detroit), 2023-06, Vol.64 (3/4), p.351-367
[Peer Reviewed Journal]
Copyright Wayne State University Press 2022 ;ISSN: 1536-0342 ;ISSN: 0011-1589 ;EISSN: 1536-0342 ;DOI: 10.1353/crt.2022.a899724
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Title:
Craftivism and Cottonian Bindings: "The Handiwork of Greta Hall"
Author:
Williams, Helen
Subjects:
19th century
;
Autobiographies
;
Bibliographic literature
;
Book binding
;
Feminism
;
Private libraries
;
Proprietary
;
Romantic period
;
Romanticism
;
Southey, Robert (1774-1843)
;
Womens history
Is Part Of:
Criticism (Detroit), 2023-06, Vol.64 (3/4), p.351-367
Description:
Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey's books in vibrantly printed dress fabrics, creating a collection that came to be called "the Cottonian Library." This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of women and the book.
Publisher:
Detroit: Wayne State University Press
Language:
English
Identifier:
ISSN: 1536-0342
ISSN: 0011-1589
EISSN: 1536-0342
DOI: 10.1353/crt.2022.a899724
Source:
ProQuest Central
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