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Forging Female Subjectivity on the Commercial Stage in the 1920s and ’30s: Three Plays by María Luisa Ocampo, Concepción Sada, and Alfonsina Storni

Latin American theatre review, 2016-03, Vol.49 (2), p.127-145 [Peer Reviewed Journal]

Copyright © The Center of Latin American Studies ;ISSN: 0023-8813 ;ISSN: 2161-0576 ;EISSN: 2161-0576 ;DOI: 10.1353/ltr.2016.0038

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