Reclamation, Usurpation and Commodification: Tracing the Black Diaspora Through Musico-Cultural Traditions of Cuba and the United States
Theses may not be reproduced (either in print or online) without prior written permission of the author. Proper citation guidelines should be used when quoting or paraphrasing from a thesis. Thesis work remains the intellectually property of the student author unless specified otherwise and is provided for educational use only.
Digital Resources/Online E-Resources