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From Counterpoint to Heterophony and Back Again: Reading Edward Said's Drafts for Culture and Imperialism

The Journal of musicological research, 2022-01, Vol.41 (1), p.1-22 [Peer Reviewed Journal]

2020 The Author(s). Published with license by Taylor & Francis Group, LLC. 2020 ;ISSN: 0141-1896 ;EISSN: 1547-7304 ;DOI: 10.1080/01411896.2020.1787793

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  • Title:
    From Counterpoint to Heterophony and Back Again: Reading Edward Said's Drafts for Culture and Imperialism
  • Author: Capitain, Wouter
  • Is Part Of: The Journal of musicological research, 2022-01, Vol.41 (1), p.1-22
  • Description: It is common in the academic reception of the legacy of Edward Said to limit the analysis of his theorization of a contrapuntal perspective on colonial history to the dominant theme of Said's published writings. Nevertheless, alternative narratives emerge in unpublished texts preserved in the Edward W. Said Papers at Columbia University. Archival research reveals that Said actually proposes a heterophonic, instead of contrapuntal, perspective in early drafts for Culture and Imperialism (1993). Said's legacy itself requires a heterophonic reading to analyze the overlap and interactions of these variations in his writings.
  • Publisher: Routledge
  • Language: English
  • Identifier: ISSN: 0141-1896
    EISSN: 1547-7304
    DOI: 10.1080/01411896.2020.1787793
  • Source: Taylor & Francis Open Access
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