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Emotional Excess on the Shakespearean Stage: Passion's Slaves

Shakespeare Studies, 2016, Vol.44, p.335-10 [Peer Reviewed Journal]

COPYRIGHT 2016 Associated University Presses ;Copyright Associated University Presses 2016 ;ISSN: 0582-9399

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  • Title:
    Emotional Excess on the Shakespearean Stage: Passion's Slaves
  • Author: Hobgood, Allison P
  • Subjects: Anger ; Audiences ; Drama ; Early Modern English ; Emotions ; Escolme, Bridget ; Fiennes, Ralph ; Politics ; Reading ; Shakespearean plays ; Shakespearean studies ; Textual criticism ; Theater
  • Is Part Of: Shakespeare Studies, 2016, Vol.44, p.335-10
  • Description: The chapter closes with a noteworthy reading of Mike Pearson and Mike Brookes's National Theatre Wales 2012 production of the play, the site-specific Coriolanus: Coriolan / Us, as ''interested in anger as a political force, as that which makes and destroys communities of needs and interests, rather than as a means or effect of personal expression. ''13 Gender as a point of analysis resurfaces in this chapter as Escolme offers a thought-provoking reading of Richard III at the Swan in 2012 that, in her estimation, gave modern spectators access to the complex politics of early modern women's grief.
  • Publisher: New York, N. Y: Associated University Presses
  • Language: English
  • Identifier: ISSN: 0582-9399
  • Source: ProQuest Central
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